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Lucia Pizzo Russo (a cura di), Rudolf Arnheim. Arte e percezione visiva, Aesthetica Preprint: Supplementa, 14, aprile 2005, 292 pp. (1,1MB PDF) Tiziana Andina, Percezione e rappresentazione. Alcune ipotesi tra Gombrich e Arnheim, Aesthetica Preprint, 73, aprile 2005, 80 pp.(208KB PDF) Anna Li Vigni, Poeta quasi creator.

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Preview — Arte e percezione visiva by Rudolf Arnheim

'Vedere' è un atto creativo; e il giudizio visivo non è contributo dell'intelletto successivo alla percezione ma ingrediente essenziale dell'atto stesso del vedere. Quanti, tuttavia, sanno prendere coscienza del giudizio visivo, e tradurlo e formularlo? Sapere quali sono i principi psicologici che lo motivano e quali sono le componenti del processo visivo che partecipa all...more
Published 1984 by Feltrinelli (first published 1954)
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May 09, 2012Jamie rated it it was amazing · review of another edition
For anyone pursuing art as a lifetime adventure/endeavor, this is your art bible. This book was pivotal in opening my mind to a multifaceted way of looking at visual organization, composition and development. It gave me a hunger to create that still fuels me today. Rudolf Arnheim is often overlooked as a pusher of modernist thinking and perhaps that he is maybe out of style or old school, this is SO untrue. Yes, he is from the modernist era and references many artists from that era because of wh...more
Apr 09, 2011Lukasz rated it really liked it · review of another edition

Arnheim Arte E Percezione Visiva Pdf Writer Software

Everyone who reads this book in its entirety is guaranteed to wind up appreciating (and even 'understanding') abstract modernist art- I know I did. Contrary to what someone said here I would say this stuff does sink in- mainly because Arnheim managed to present his observations clearly, and illustrated them convincingly with visuals, in the form of reproductions or explanatory sketches by the author himself.
Arnheim's book will equip its readers with not just a vocabulary, but a whole grammar for...more
Aug 01, 2012Damien rated it it was amazing · review of another edition
Very similar to Visual Thinking, but a bit broader and contends with sociological & cultural considerations within the history of Art and science. Not quite as condensed, as Visual Thinking is essays, but a much deeper and more interesting book overall.
Mar 07, 2012Sarah rated it really liked it · review of another edition
هذا كتاب أقل ما يقال أنه رائع ، يفسر كثير من الجوانب المتعلقة بالابداع البصري ، ،وهو مرجع ممتاز في مجاله
May 18, 2015Sarah Galvin rated it it was amazing · review of another edition
A perennial favorite!
Jul 12, 2019Max Viana rated it really liked it · review of another edition
First thing you got to know about this book is that's a college textbook, so it's thick, dense, deep and specially hard, not in a bad sense, it's just that some paragraphs contain so much information that you have to read them again a few times before feeling you actually got what the author was trying to convey.
Aside from that, it's a great book it has a lot of research backed statements and solid cohesiveness of argument. It's probably better to read in college a context with a class and teach...more
Jan 03, 2018Maria rated it it was amazing · review of another edition
This book required the double effort from me, since English is not my native language, but it help me build all my creative thinking and visual creativity from scratch in order to be able to 'save' it in mind. At the end of the semester we took an exam on this book. 100/100
Sep 26, 2017Mochammad Yusni rated it really liked it · review of another edition
A nice book with interesting content. A must read for anyone who teaches or pursues art and architecture.
Mar 14, 2018Stephen rated it it was amazing · review of another edition
I’m not going to sugarcoat it. This is a textbook slog. But so worth it. As a non-artist (trained in the sciences), this opened my eyes to the many things that are surely fundamental to practicing artists as regards composition. And I see the value of formalism in art, particularly in its teaching as a craft. But as a lover of art, I also see the danger. I am wary of crushing the pure joy of discovery under a heavy pile of nuanced theory and rigid comparative analysis. As a life-long “visceralis...more
Apr 28, 2014John rated it it was amazing · review of another edition
A wonderful insight into our artist look of our world as we see it through our eyes and mind. A wonderful book that has views from both artist and scientist on the subject of sight and art...and where the two meet. Also the psychology of viewing art is given unique attention with clear examples of theory of our perception of our world around us.
I found it easy to read and a book worth taking my time to go through so don't be daunted by its size, one can read and put it down and pick it up at a...more
Jun 28, 2014Eleanor rated it it was amazing · review of another edition
I cannot say enough good about this book. I finished it and wanted to start all over again. For someone who took only one more than the required Art classes in HS (mumble years ago), this was a godsend. I do wish Mrs Garber in Freshman Art Survey had bothered to impart even a smidgin of the information crammed into this book. I am going to purchase a copy. It's a bible for anyone who considers themselves any kind of artist in any visual media.
Mar 26, 2016Pau Goñi rated it it was amazing · review of another edition
Cambió para siempre la forma en la que aprecio el arte. Es realmente para subrayar, marcar y anotar los temas porque sirven muchísimo, en especial para los que estudiamos carrera afines al diseño y el arte.
May 16, 2014Khoi rated it really liked it · review of another edition
The Bible for all things visual and creative. Wonderful guide, accessory and even pillow at times for wide-eyed struggling art history buffs. I would have given it 5 stars had it not been my assigned text. Very big and bulky, hard to carry around.
Jan 24, 2009Tooba rated it really liked it · review of another edition
Had to read it in College for a course...found that it seminal in how I looked at and processed the world around me. You can say that it helped me appreciate the intellectual life, instead of snearing at it from my anti-establishment, anti-conformist, angsty 'punk rock' attitude as a teen.
Feb 02, 2008Dickson rated it liked it · review of another edition
Classic, but like Classic Coke, there can be too much of a good thing. In the hands of artists, well, like academic art classes, they may want to study it and then forget it.
Jun 28, 2013Carmen Martinez rated it it was amazing · review of another edition
If not the bible per se the New Testament for designers. A consulting guide for any kind of visual expression artist.
May 12, 2014Khulan rated it it was amazing · review of another edition
i dont know because i dont read this book. i want to this book
Jul 08, 2009Brian Bulfer rated it it was amazing · review of another edition
Feb 22, 2011Derek Barker added it · review of another edition
Jan 28, 2013samkap rated it really liked it · review of another edition
This book is great but practically the longest sentence ever.
Apr 13, 2013Michael Mentler rated it it was amazing · review of another edition
May 27, 2011Tony rated it really liked it · review of another edition
Nov 07, 2014Eduardo Sánchez rated it it was amazing · review of another edition
Libro básico para entender la percepción que tenemos sobre el arte y perfecto para darnos el conocimiento necesario al visitar una exhibición.
Jun 10, 2012Dreamer rated it it was amazing · review of another edition
As an artist I find this book is a must read. It's difficult but essential.
Aug 07, 2016Katlene Elynnor marked it as to-read · review of another edition
Oct 13, 2014Donna added it · review of another edition
Found it very interesting. But I read it so long ago that it's probably time to refresh my memory of it. It was a text book and I still have it. So much to read -- so little time!
Feb 28, 2014John McCreery rated it it was amazing · review of another edition
Saurabh Srivastava rated it really liked it
Oct 31, 2013
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Rudolf Arnheim (1904–2007) was a German-born author, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art. His magnum opus was his book Art and Visual Perception: A Psychology of the Creative Eye (1954). Other major books by Arnheim have included Visual Thinking (19...more
“Every great artist gives birth to a new universe, in which the familiar things look the way they have never before looked to anyone.” — 3 likes
“The mere exposure to masterworks does not suffice. Too many persons visit museums and collect picture books without ever gaining access to art. The inborn capacity to understand through the eyes has been put to sleep and must be reawakened. This is best accomplished by handling pencils, brushes, chisels and perhaps cameras.” — 2 likes
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Preview — Visual Thinking by Rudolf Arnheim

For thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of The Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art, and Art and Visual Perception, asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and...more
Paperback, Thirty-Fifth Anniversary Printing, 352 pages
Published April 16th 2004 by University of California Press (first published 1969)
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Mar 17, 2007Ryan rated it it was amazing
What if pictures, or hieroglyphics, could be made into a deeper and more complex langauge, that is yet more rapidly understandable and recognizable by the same order? Text takes time to export and to absorb in relation to drawings, stalling the creative brainstorming process. Arnheim shows how this visual langauge has developed. One can easily think of the long dashes and violent scribbles that translate into speed and dust clouds of coups de poing that are depicted in every newspaper's comic se...more
Mar 18, 2013Dr. Carl Ludwig Dorsch rated it liked it
Some 30 years after publishing Visual Thinking, Arnheim described it thus:
“My essential assertion in the book you mentioned [Visual Thinking] is that language is not the formal prototype of knowledge; rather, that sensory knowledge, upon which all our experience is based, creates the possibilities of language.
“Our only access to reality is sensory experience, that is, sight or hearing or touch. And sensory experience is always more than mere seeing or touching. It also includes mental images an...more
Absolute classic essays about cognitive and gestalt psychology. Terrifically appealing for visual artists that are interested in a scientific underpinning of how human cognitive powers operate. Relatively early work in the field of what eventually became cognitive neuroscience and/or biopsychology, so its threaded throughout with a bit of the Jungian-influenced concepts so prevalent during the late 50's & 60's. But terrific information and a text I return to every few years just to flip thro...more
Jan 08, 2013Gridd Consultancy rated it really liked it
Shelves: visual-thinking, we-own-a-copy, content-and-storytelling
One of the must-read classics on visual thinking. You'll need some patience to read it, but take your time and read it all.
According to Arnheim: 'cognitive processes indicated as thinking are not mental processes above and beyond perception but essential ingredients of perception itself'. This book will help you gain some understanding of cognitive psychology.
May 26, 2019Funda Guzer rated it it was ok · review of another edition
Çok zor okunan bir kitaptı benim için. Konular dağınık ve fikirler hava kalmış . Kitabın sonunda her ne kadar toparlamaya çalışılıyor sa gibi maalesef kitaptan yeni bir fikir alamadım belki de doğru zamanda değildi okumam.
Feb 27, 2019H. Isikgun rated it it was amazing · review of another edition
Görme duyumuzun düşüncede, sanatta, fizik ve matematikteki ilişkisinin önemini sadece aklın merkezde olduğu tezi reddererek gerekçeleriyle birlikte her yönden ele almış Rudolf Arnheim ve görsel anlatımlarıyla da müthiş detaylı bir çalışma sunmuş.
A decent read.
Jun 28, 2017Arturo Cavallo rated it really liked it · review of another edition
Mar 16, 2016Davide Stanzione rated it really liked it · review of another edition
La riflessione sul valore sociale e intellettuale del pensare per immagini è il cuore pulsante di questo saggio, in cui il fondamentale e imprescindibile psicologo dell'arte tedesco Rudolf Arnheim descrive, attraverso delle coordinate teoriche precise ed esaustive, il nostro rapporto col visibile, fin dai primi stadi dell'apprendimento. Una relazione che dalle parole di Arnheim non viene fuori nel migliore dei modi e appare viziata da carenze strutturali dell'immaginario collettivo di noi tutti...more
Recommended by Bill Marling as a good starting point to think about the intersection of images and thought, Arnheim's classic predates some of my favorite visual rhetoric theory, while still engaging in how we should understand/teach visual analysis.
He ends with a chapter entitled, “Vision in Education,” where he argues that we need “the systematic training of visual sensitivity as an indispensable part of any educator’s preparation for his profession. The difference between a picture that make...more
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Read this and more reviews of Philosophy books on the History page of www.BestPhilosophyBooks.org (a thinkPhilosophy Production).
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This book is a bit dry, but it is a standard and it lays out the terrain where thinking about vision as formative of thought. The two chapters on 'The intelligence of perception' I and II, are a review of the philosophical discussions that frame this otherwise formalistic and psychological treatment.
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Read this and more reviews of Philosophy books on the Histor...more

Arnheim Arte E Percezione Visiva Pdf Writer Word

I read this as an undergraduate. Arnheim died last year and SLC, where he taught for several decades, is planning an event in Spring of 2008. It's one of those books that used to be absolutely required of anyone involved in the visual arts, though more recently, at least in poststructuralist art history circles, the psychology of art has gotten a bad rap...
This book gives a deeper understanding on the worth of perception and the intelligence it requires. But, as a designer, I did not find much additional useful information. The density of the writing was not rewarded with better insight into visual thinking - at least for me.
A very thorough book. Takes time to really think how your visual thinking works. If you take out your blank canvas, and take a good look at it, it can help boosts your visual thinking. This is just one way. There are so many ways. I would recommend this book for visual artists.
Dec 05, 2010Erik Graff rated it really liked it · review of another edition
Recommended to Erik by: Robert Neale
Although I rushed through this book when it was assigned for my first psychology class at Union Theological Seminary in New York, I suspect that its argument and evidences that all thinking is sensory (Arnheim's emphasis being on the visual sense) has influenced me ever since.
Read through about two thirds. It was a good primer on cognition as it relates the sense of vision and how we organize that information. I found it a bit dated though in its perspective, and didn't really have the energy to finish.
May 17, 2007Juan Corporan added it
i love this book!!
the perfect way to learn how talk and listen without words.
Dec 07, 2008Sfspearman Spearman rated it really liked it
I read this book a long time ago. Now I am re-reading portions of it. It makes me feel good.
A lot of reading. Arnheim is more than a little pedantic. Getting through this felt like an accomplishment. Good stuff there to be sure. I just don't remember any of it.
The arguments are often laborious, but overall an excellent caution against reductionism in one's personal epistemology.
Dudy Wiyancoko rated it really liked it
Feb 01, 2014
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Mar 01, 2012
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Dec 28, 2017
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Rudolf Arnheim (1904–2007) was a German-born author, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art. His magnum opus was his book Art and Visual Perception: A Psychology of the Creative Eye (1954). Other major books by Arnheim have included Visual Thinking (19...more

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