Taylor Swift Lyrics. Sort by album sort by song. Album: 'Taylor Swift' (2006) Tim McGraw Picture To Burn Teardrops On My Guitar A Place In This World Cold As You. Starlight Begin Again The Moment I Knew Deluxe Edition Bonus Track Come Back. Be Here Deluxe Edition Bonus Track Girl At Home Deluxe Edition Bonus Track. Taylor Swift ukulele tabs and chords. Free and quality guaranteed with chord diagrams, transposer and auto scroller. Free Download Lagu Terbaru Taylor Swift - Selamat pagi setengah siang sobat pada kesempatan kali ini saya akan berbagi sebuah Lagu Terbaru yang bernama Lagu Terbaru Taylor Swift Terbaru Lengkap, bagi kalian yang suka banget denga lagunya langsung saja download dibawah ini secara gratis.

1. Starlight Taylor Swift Lyrics

Red is the fourth studio album by American singer-songwriter Taylor Swift. It was released on October 22, 2012, by Big Machine Records. Inspired by 'semi-toxic relationships' evoking intense, tumultuous 'red emotions' that Swift was experiencing during conception of the album, Red touches on Swift's recurring themes of romance and heartbreak, but represents a more mature perspective and also explores the pressure of being in the public eye. Featuring collaborations with Gary Lightbody and Ed Sheeran, the album musically incorporates pop, rock and country styles, experimenting with new genres for Swift such as heartland rock and dubstep.

Red was generally well received by critics, who complimented Swift's songwriting craftsmanship, but were divided on the album's incorporation of various genres, which received praise regarding Swift's emerging versatility and criticism for being inconsistent. Some noticed the album as Swift's first step in transitioning from her trademark country styles to mainstream pop, which would subsequently be complete with its follow-up 1989 in 2014. Red received nominations for Album of the Year and Best Country Album at the 56th Annual Grammy Awards. It was also nominated for Album of the Year at the 2013 Country Music Association Awards.

The album debuted at number one on the US Billboard 200 with first-week sales of 1.2 million copies, giving Swift her third consecutive number-one album and making her the first female artist to have two million-selling album openings. It was Swift's first chart-topper in the UK, and also topped charts in Australia, Canada, Ireland, and New Zealand. Red has sold 4.4 million copies in the US and six million copies worldwide. It was supported by seven singles, four of which reached the top ten on the US Billboard Hot 100–the number-one single 'We Are Never Ever Getting Back Together', 'Begin Again', 'I Knew You Were Trouble', and 'Red'. The album's supporting world tour ran from March 2013 to June 2014 and grossed over $150 million.

• 2Critical reception
• 3Commercial performance
• 5Promotion
• 7Personnel
• 8Charts

Background and release[edit]

Starlight Taylor Swift Lyrics

On August 13, 2012, Swift gave a live webchat to over 72,500 viewers, in which she answered fan questions,^[1] previewed the lead single, 'We Are Never Ever Getting Back Together', and announced her fourth album's title as Red, as well as its release date.^[1][2] Swift also revealed the meaning behind her album's title:

All the different emotions that are written about on this album are all pretty much about the kind of tumultuous, crazy, insane, intense, semi-toxic relationships that I've experienced in the last two years. All those emotions — spanning from intense love, intense frustration, jealousy, confusion, all of that — in my mind, all those emotions are red. You know, there's nothing in between. There's nothing beige about any of those feelings.^[1]

During the live webchat, she also revealed that she wrote more than 30 songs for the album, of which 16 were released, and said that much of her inspiration came from dysfunctional relationships.^[2] Contrary to her previous self-written album Speak Now (2010), Swift enlisted the help of several of her favorite songwriters.^[3] In an interview with MTV News, the singer revealed that the album 'is interesting because each song stands on its own. It's this patchwork quilt of different sounds and different emotions, and I don't think anything on the record sounds like We Are Never Ever Getting Back Together'.^[4] She also previewed songs from the album on Good Morning America every Monday, beginning on September 24 until October 15.^[5] Swift performed on October 22 for the album's release, and the next day, she performed a live concert on the same show.^[5] According to the singer she had spent over two years with the recording process, writing and preparation for the album.^[6] Sarah Barlow shot the album's cover, which shows Swift's face, particularly her red lipstick.^[7]Pitchfork remarked that it resembled the cover of Joni Mitchell's 1971 album Blue.^[8] The standard and deluxe versions of the album were released on October 22, 2012 in Italy, New Zealand, the United States, among others. The deluxe edition of the album comes with a second disc with three new tracks and the original demo recordings of 'Red' and 'Treacherous' along with an acoustic version of 'State of Grace'. ^[9][10][11] A karaoke version of the album was also released on February 5, 2013 on the iTunes Store, which includes the instrumental version from all tracks of its standard version.^[12]

Critical reception[edit]

Red was met with generally positive reviews. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream publications, the album received an average score of 77, based on 23 reviews.^[14] Jon Dolan from Rolling Stone felt Swift had been influenced by Joni Mitchell and U2, writing that 'her self-discovery project is one of the best stories in pop. When she's really on, her songs are like tattoos.'^[22]Billboard called the album 'her most interesting full-length to date' and said it 'puts Swift the artist front and center with big, beefy hooks that transcend her country roots for a genre-spanning record that reaches heights unseen since Shania Twain's Up!.'^[24]Stephen Thomas Erlewine from AllMusic called Red a pop record that showed almost no trace of country and said although Swift's lyrics about romantic relationships and social anxiety still sound somewhat clumsy, they do not detract from 'the pristine pop confections' that comprise the music: 'If anything, these ungainly, awkward phrasings humanizes this mammoth pop monolith: she's constructed something so precise its success seems preordained, but underneath it all, Taylor is still twitchy, which makes Red not just catchy but compelling.'^[15]Spin magazine's Michael Robbins found Swift 'too smart and tuneful to condescend to her contradictions' on the album's augmented pop songs.^[23] In the Los Angeles Times, Randall Roberts was impressed by her ability to incorporate different musical styles as she 'strives for something much more grand and accomplished' than a cynical point of view.^[20]Sputnikmusic critic Channing Freeman claimed that Red showcased Swift's definite transition from country to pop, with music that unlike on her previous records is 'a complement to all of those conflicting emotions that have been present in her lyrics for some time now'.^[25] Jon Caramanica from The New York Times believed that 'each moment of pure pop breakthrough is tempered immediately afterward by a contemplative country moment'.^[26]

Jonathan Keefe from Slant Magazine was less enthusiastic and said as a pop record, it was not consistent enough to be considered 'truly great' because a number of songs lacked Swift's 'usual spark'. Nonetheless, he concluded that 'its highlights are career-best work for Swift, who now sounds like the pop star she was destined to be all along.'^[27] Michael Gallucci from The A.V. Club found Swift's lyrics somewhat more 'deeper and darker', and the music far more ambitious than her previous records, but overall a 'complicated and sometimes unfocused' pop record. He dismissed the duets as boring, while calling 'State of Grace' and 'All Too Well' 'fascinating work'.^[16] Arnold Pan from PopMatters believed some of the songs should have been edited out on what was a transitional album for Swift, who abandoned her country-pop roots in favor of 'beefed-up modern rock' stylings.^[28] Writing for MSN Music, Robert Christgau viewed Red as a minor version of the Magnetic Fields' 1999 album 69 Love Songs. He preferred its feistier tracks but also appreciated the more sentimental songs 'Begin Again' and 'Stay Stay Stay', which 'stay happy and hit just as hard'.^[21]Pitchfork's Brad Nelson, in a 2019 review, applauded Swift's sharp, more mature observations through a wide variety of genres, which he said effectively conveys the tumultuous feelings ensued from past relationships and the effect of time on memory and loss.^[8]

Accolades[edit]

Red was included on many year-end best-of lists. The album appeared at the runner-up spot on Associated Press^[29] and Idolator,^[30] with the latter saying that 'Red showcased [Swift's] abilities marvelously, in finely hewn details, the most varied production styles of her career and storytelling that remains as emotionally ass-whooping as any artist with her reach.' Jon Caramanica of The New York Times also ranked Red number two on his top ten albums list, stating that '[Swift] goes Day-Glo on the most unexpected moments of this album, her fourth and the first that stops pretending she's anything but a pop megastar.'^[31] MTV ranked Red number three, stating that 'Swift takes tremendous strides towards becoming a genuine artist, the kind equally adept at penning heartbreakers.'^[32] The album appeared at number five on Billboard's top ten best albums of 2012, saying that 'Red will likely be remembered for its sonic risks, with the pop of 'We Are Never Ever Getting Back Together' and the dubstep wobbles of 'I Knew You Were Trouble' pushing the country star out of her comfort zone.'^[33] In January 2015, the album was placed at number 12 on Billboard's list of 'The 20 Best Albums of 2010s (So Far)'.^[34]The Daily Beast writer Marlow Stern ranked the album at number seven, calling it 'an uneven LP that nonetheless contains a diverse array of infectious tunes.'^[35] while Glenn Gamboa of Newsday ranked the album number six, stating that Taylor 'comes out as a full-fledged pop superstar.'^[36]Red also ranked at number ten on both The Salt Lake Tribune and HitFix.^[37][38]Rolling Stone ranked the album thirty-first on their album list.^[39]

Songs from the album have received Grammy Award nominations. 'We Are Never Ever Getting Back Together' was nominated for Record of the Year at the 55th Grammy Awards, but lost to 'Somebody That I Used to Know' by Gotye and Kimbra. 'Begin Again' received a Best Country Song nomination at the 56th Grammy Awards. Red also received nominations for Album of the Year and Best Country Album at the 56th Grammy Awards.^[40]

Commercial performance[edit]

North America[edit]

Red was a huge commercial success. In the United States, Red debuted at number-one on the Billboard 200. It became the fastest-selling album in over a decade after selling 1.21 million copies in its first week, and earned Swift her third No. 1 album on the chart.^[41][42]Red has the second highest first week sum by a female artist, only behind Britney Spears' Oops!... I Did It Again (2000), which opened with 1.3 million units.^[43]Red had the biggest sales week in 2012^[44] and outsold the top 52 albums in the Billboard 200 on its first week. It has also the biggest one week sales for a country album beating Garth Brooks' Double Live which sold 1.085 million copies in 1998. Red sold 465,000 digital copies in its first week in the US, which is the second biggest after Lady Gaga's Born This Way (2011).^[43] It sold around 1.459 million copies worldwide in its first week of sales.^[45] In its second week on the Billboard 200, the album remained at No. 1 and sold 344,000 copies (down 72%).^[46] Next week Red held atop the Billboard 200 and sold a further 196,000 copies (down 43%) which brought its sales to 1.749 million, thus ranking the third biggest selling album of 2012 behind Adele's 21 and One Direction's Up All Night.^[47] The album was dethroned by One Direction's Take Me Home on its fourth week.^[48][49] In its seventh week, Red climbed back to No. 1 on the Billboard 200 selling 167,000 and with that, Swift became tied with Jay-Z and Whitney Houston for fourth most-weeks at No. 1 on the Billboard 200 since Nielsen SoundScan began tracking in 1991.^[50] With Red spending its sixth week atop Billboard 200, Swift became the first artist since The Beatles 43 years earlier to log six weeks atop Billboard 200 with three consecutive studio albums.

Swift held the Billboard 200 top spot the next two weeks,^[51][52] thus making Swift the first artist since The Beatles in 1969 to log six or more weeks at No. 1 with three consecutive studio albums, following Fearless (eleven weeks) and Speak Now (six weeks). Also, this is the third time that Swift has had the No. 1 album in the last week before Christmas, which is traditionally the most competitive week of the year. She also achieved the feat with Fearless in 2008 and Speak Now in 2010.^[53]Red spent its seventh non-consecutive week at No. 1 in the sales week ending December 30, 2012, selling 241,000 (down 12%). This gave Swift a total of 24 weeks atop the Billboard 200 throughout her career, tying her with Adele as the woman with most weeks at No. 1 since SoundScan began tabulating the Billboard 200 in May 1991.^[54] Swift later surpassed this record with the release of her next album, 1989. Red finished 2012 as the second biggest album despite being out for only two months, selling 3.11 million. It makes the fourth time she has an album ranked in the year's top three sellers.^[55] As of July 2019, the album has sold 4.45 million copies in the US.^[56]

In Canada, Red ranks Swift's third No. 1 album as well selling 93,000 copies on its debut week and has easily crossed the Platinum certification in the country. With that sales, Red became the biggest one week sales in Canada since Michael Bublé's Christmas moved 107,000 copies last Christmas season of 2011 and the biggest first week sales since 2008.^[41] As of May 2013, Red has been certified quadruple platinum by Music Canada with shipments exceeding 320,000 copies.^[57]

Europe and Oceania[edit]

Red was also commercially successful outside the United States. In the United Kingdom, Swift garnered her first No. 1 album with Red with sales of 61,000 copies on its opening week.^[58] In Australia, the album debuted at No. 1 and spent a total of three consecutive weeks at the top, becoming Swift's longest running No. 1 album in Australia; Red was certified 4× platinum by the Australian Recording Industry Association for shipments exceeding 280,000 copies.^[59] In New Zealand, the album also became Swift's third No. 1 album, and has been certified platinum by the RIANZ.^[60] Worldwide, Swift set a new worldwide iTunes Store record for highest ever first-week album sales with 566,000 copies sold digitally around the globe.^[61] Later, this record was beat by Justin Timberlake's album The 20/20 Experience (580,000 copies during its first week).^[62]

Accolades[edit]

Promotion[edit]

Singles[edit]

The album's lead single, 'We Are Never Ever Getting Back Together', was released on August 13 and became Swift's first No. 1 single on the US Billboard Hot 100. The song's jump from its debut position No. 72 to No. 1 was the result of a massive digital demand of the song. With 623,000 downloads, the song placed second among all-time best week sales singles, behind Flo Rida's 2009 hit 'Right Round.' It stayed at No. 1 for three non-consecutive weeks, being displaced twice at the top, first by 'Flo Rida's 'Whistle' and second by Maroon 5's 'One More Night'. The song stayed in the top ten for thirteen weeks and charted for a total of twenty-four weeks. In UK, it peaked at No. 4, giving her her first top ten hit since 'Love Story' (2008) and the song became her first No. 1 song in New Zealand. As of December 2012, 'We Are Never Ever Getting Back Together' has sold more than three million downloads in the US.

'Begin Again' was released to the iTunes Store on September 25, 2012 as part of a countdown to the album release. A few hours after its early release to iTunes, it shot to No. 1, thereby becoming the first single to dethrone Psy's 'Gangnam Style' in a week. The song sold 299,000 digital copies in its first week of release and debuted at No. 7 on the US Billboard Hot 100 chart dated October 4, 2012.^[76] It was later announced that the track, would be serviced to country radio on October 1, 2012 as the second single from the album.^[77][78] The song became her seventeenth consecutive top ten hit in US Billboard Hot Country Songs, but also tied with 'Fearless' as her lowest-charting single on the said chart although it reached No. 3 on BillboardCountry Airplay.

'I Knew You Were Trouble' was released as the second international single from Red on November 14, 2012, in the UK. In the US, it was released on November 27, 2012 as the third single.^[79][80] The song debuted at No. 3 on Billboard Hot 100 with 416,000 copies sold in its first week, Swift's second-largest first week singles sales. It became Swift's fourteenth top ten hit and her eleventh song to debut inside the top ten. With sales of 416,000 from 'I Knew You Were Trouble', Swift became the first artist in digital history to have two songs that debuted with sales of 400,000 or more copies. In its eleventh week, it sold a massive sum of 582,000 in the US, making it the fourth-biggest digital sales week of all time. It caused the song to re-peak at No. 2 on the Billboard Hot 100. 'I Knew You Were Trouble' became a commercial success, selling over three million copies in the US and reaching No. 1 on BillboardHot 100 Airplay and Billboard Pop Songs, and also reached the top ten in ten countries.^[81]

'22' was released as the fourth single from Red. It was sent to Australian radio on February 4, 2013. It was released in the United States on March 12, 2013. The music video was released on YouTube on March 13, 2013. The song was released in the United Kingdom on April 1, 2013.^[82][83] It peaked at No. 20 on the Billboard Hot 100, becoming the first single from Red to miss the top ten. As of May 2013, the song has sold 1,000,000 copies in the United States.^{[citation needed]}

'Red', the album's title track, was released to Country radio on June 24, 2013 as the third Country single.^[84] The song debuted at No. 6 on the US Billboard Hot 100 and at No. 2 on the Hot Digital Songs chart selling 312,000 in its first week.^{[citation needed]} It also debuted at No. 2 on the Hot Country Songs chart, behind Swift's 'We Are Never Ever Getting Back Together'. As of May 2013, the song has sold 1,000,000 copies in the United States.^{[citation needed]}

'Everything Has Changed', which features British singer-songwriter Ed Sheeran, was released as the fourth international single as well as the fourth U.S. Pop/Mainstream single on July 16, 2013.^[85]

'The Last Time', featuring Snow Patrol lead vocalist Gary Lightbody, was later confirmed as the fifth and final international single and seventh and final from Red. A UK release was announced as of October 13, 2013,^[86] and it subsequently impacted UK contemporary hit radio on November 4, 2013.^[87] The release of the single coincides with the announcement of the dates for the European leg of her international Red Tour.^[88]

Promotional singles[edit]

During the four weeks preceding the release of Red, one track was released each week digitally on the iTunes Store after a preview of it had been heard on Good Morning America.^[89] The first of the four promotional singles is 'Begin Again', which was released digitally on iTunes on September 25, 2012.^[90] 'Red' is the second promotional single off the album,^[91] and became available for download on October 2, 2012. 'Red' debuted at No. 6 on the Hot 100 with sales of 312,000.^[92] 'I Knew You Were Trouble' is the third promotional single off the album, and became available for download on October 9, 2012.^[93] The fourth and final promotional single is 'State of Grace', which became available for download on October 16, 2012.^[94] Each of them reached No. 1 on iTunes and the top 15 on the Billboard Hot 100, with 'I Knew You Were Trouble' having the highest peak at No. 2 as Swift's 14th top 10 song. With sales of 416,000 from 'I Knew You Were Trouble', Swift became the first artist in digital history to have two songs that debuted with sales of 400,000 or more copies.^[95]

Tour[edit]

Swift promoted the album with The Red Tour. It was Swift's second tour to perform in major stadiums after the Speak Now World Tour. The tour began on March 13, 2013, in Omaha, Nebraska and ended on June 12, 2014, in Singapore. Throughout the tour, many artists were invited on selected dates, such as Jennifer Lopez, Ed Sheeran (who also served as an opening act), Cher Lloyd, among others. The tour grossed $150.2 million and became the highest-grossing tour of all time by a country act.

Track listing[edit]

All tracks written by Taylor Swift, except where noted.

Personnel[edit]

Credits adapted from AllMusic.^[7]

Musicians[edit]

• Taylor Swift – acoustic guitar
• Nathan Chapman – bass guitar, drums, acoustic guitar, electric guitar, keyboards, mandolin, percussion, piano, soloist, synthesizer
• Peggy Baldwin – cello
• Brett Banducci – viola
• Jeff Bhasker – bass guitar, keyboards, piano
• J. Bonilla – drums, percussion
• Nick Buda – drums
• Tom Bukovac – electric guitar
• David Campbell – string arrangements, conducting
• Daphne Chen – violin
• Lauren Chipman – viola
• Eric Darken – percussion
• Marcia Dickstein – harp
• Richard Dodd – cello
• Paul Franklin – steel guitar
• Eric Gorfain – violin
• Dann Huff – bouzouki, electric guitar, high strung guitar, mandolin
• Charlie Judge – accordion, Hammond B3, piano, upright piano, strings, synthaxe, synthesizer
• Gina Kronstadt – violin
• John Krovoza – cello
• Marisa Kuney – violin
• Jacknife Lee – bass guitar, guitar, keyboards
• Max Martin – keyboards
• Grant Mickelson – guitar
• Anders Mouridsen – guitar
• Jamie Muhoberac – cello
• Neli Nikolaeva – violin
• Owen Pallett – conductor, orchestration
• Radu Pieptea – violin
• Simeon Pillich – contrabass
• Wes Precourt – violin
• Bill Rieflin – drums
• Shellback – bass guitar, guitar, acoustic guitar, electric guitar, keyboards
• Jake Sinclair – bass guitar
• Jimmie Lee Sloas – bass guitar
• Aaron Sterling – drums
• Jeff Takiguchi – contrabass
• Andy Thompson – guitar, electric piano
• Ilya Toshinsky – mandolin
• Butch Walker – drums, guitar, keyboards, percussion
• Patrick Warren – string arrangements
• Amy Wickman – violin
• Dan Wilson – bass guitar, electric guitar, piano
• Rodney Wirtz – violin
• Jonathan Yudkin – fiddle, violin

Production[edit]

• Taylor Swift – songwriting, production
• Nathan Chapman – production, engineer
• Joe Baldridge – engineer
• Sam Bell – engineer
• Matt Bishop – engineer
• Delbert Bowers – assistant
• Chad Carlson – engineer
• Tom Coyne – mastering
• Leland Elliott – assistant
• Jeff Bhasker – production
• Eric Eylands – assistant
• Greg Fuess – assistant
• Chris Galland – assistant
• Serban Ghenea – mixing
• Matty Green – assistant
• John Hanes – mixing engineer
• Sam Holland – engineer
• Dann Huff – production
• David Huff – digital editing
• Michael Ilbert – engineer
• Tyler Sam Johnson – guitar engineer
• Jacknife Lee – engineer, production, songwriting, programming
• Gary Lightbody – songwriting
• Steve Marcantonio – engineer
• Manny Marroquin – mixing
• Max Martin – production, songwriting
• Seth Morton – assistant
• Justin Niebank – mixing
• Chris Owens – assistant
• John Rausch – engineer
• Matt Rausch – engineer
• Tim Roberts – assistant
• Eric Robinson – engineer
• Liz Rose – songwriting
• Pawel Sek – engineer
• Shellback – production, songwriting, programming
• Ed Sheeran – songwriting
• Jake Sinclair – engineer
• Mark 'Spike' Stent – mixing
• Andy Thompson – engineer
• Butch Walker – production
• Hank Williams – mastering
• Brian David Willis – engineer
• Dan Wilson – production, songwriting

Charts[edit]

Certifications[edit]

See also[edit]

Release history[edit]

References[edit]

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3. ^Chuck Dauphin (August 13, 2012). 'Taylor Swift Announces 'Red' Album, New Single'. Billboard. Prometheus Global Media. Retrieved August 14, 2012.
4. ^Garibaldi, Christina (October 23, 2012). 'Taylor Swift Calls Red A 'Patchwork Quilt' Of Emotions'. MTV News.
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36. ^Glenn Gamboa (December 27, 2012). 'Best of 2012: Albums #10-#6'. Newsday. Retrieved December 29, 2012.
37. ^David Burger (December 7, 2012). 'The Salt Lake Tribune's top 10 albums of 2012'. The Salt Lake Tribune. Retrieved December 29, 2012.
38. ^Melinda Newman (December 7, 2012). 'Frank Ocean and Bruno Mars make our Top 10 albums of 2012'. HitFix.com. Retrieved December 29, 2012.
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41. ^ ^ab'TAYLOR SWIFT'S RED DEBUTS AT #1 Universal Music Canada'. Universalmusic.ca. October 31, 2012. Archived from the original on January 15, 2013. Retrieved December 27, 2012.Cite uses deprecated parameter dead-url= (help)
42. ^Keith Caulfield (October 30, 2012). 'Taylor Swift's 'Red' Sells 1.21 Million; Biggest Sales Week for an Album Since 2002'. Billboard. Prometheus Global Media. Retrieved October 31, 2012.
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External links[edit]

• Red at Taylor Swift official site: includes lyrics of all tracks.
• Red at Metacritic

Taylor Swift is an American singer-songwriter. She signed a record deal with Big Machine Records in 2005 and released her eponymous debut album in 2006.^[1] Swift wrote three of the album's tracks: 'Our Song', 'Should've Said No', and 'The Outside'. The remaining eight were co-written with writers Liz Rose, Robert Ellis Orrall, Brian Maher, and Angelo Petraglia.^[2] In 2007, she released her first extended play (EP) Sounds of the Season: The Taylor Swift Holiday Collection, which contains two original tracks written by her: 'Christmases When You Were Mine' and 'Christmas Must Be Something More'.

Beautiful Eyes, Swift's second EP, was released in 2008 and features alternate takes of songs from her debut album as well as two new tracks; the title track and 'I Heart ?'.^[3] Swift wrote most of her songs from her second album, Fearless (2008) while she promoted her debut album as opening act for country artists. As collaborators were not available on the road, Swift self-penned eight of the tracks while the rest were co-written with Rose, Hillary Lindsey, Colbie Caillat, and John Rich.^[4][5] She contributed two songs, 'Today Was a Fairytale' and 'Jump Then Fall', to the Valentine's Day soundtrack, and recorded a cover of Better Than Ezra's 'Breathless' for the Hope for Haiti Now album. Swift wrote every track of her Speak Now (2010) album without any co-writers. The album expands on the country pop style of her previous work, and touches on themes of love, romance, and heartbreak.^[6]In late 2011, Swift contributed two original songs, 'Safe & Sound', featuring duo The Civil Wars, and 'Eyes Open', to The Hunger Games soundtrack album.

Swift's fourth album Red (2012) marked a change in her musical style with the experimentation of heartland rock, dubstep, and dance-pop.^[7] In addition to collaborating with producer Nathan Chapman—who also recorded her first three albums—she worked with new producers, such as Dann Huff, Max Martin, and Shellback; the latter two also co-wrote the album with her.^[8] In 2013, she provided guest vocals for Tim McGraw's 'Highway Don't Care', which features guitar work by Keith Urban, and performed 'Sweeter than Fiction' for the One Chance soundtrack album.

Swift released her fifth album 1989 in 2014. Credited as her 'first documented, official pop album', it marks a departure from her previous country albums.^[9] It incorporates musical genres, such as dance-pop, electropop and synth-pop, and is described as an album 'driven by synths and drums in lieu of guitar'.^[10] For the album, Swift worked with new co-writers, including Jack Antonoff, Ryan Tedder, and Ali Payami. Swift and Martin served as the executive producer. She enlisted her long-time collaborators Chapman, Martin, Shellback, and for the first time Noel Zancanella, Mattman & Robin, and Greg Kurstin.^[11] In December 2016, Swift recorded the song 'I Don't Wanna Live Forever' for the film Fifty Shades Darker with British singer Zayn.

On her sixth album Reputation (2017), Swift served as the executive producer, and worked with long-time collaborators Antonoff, Martin, Shellback, alongside new collaborators such as Oscar Görres and Oscar Holter, and Ed Sheeran and Future as featured artists on the album.^[12]

On Swift's seventh studio album Lover (2019), she served as the executive producer, and worked with long-time collaborator Antonoff alongside new collaborator Joel Little, Louis Bell, Frank Dukes, Sounwave and new co-writer St. Vincent and Cautious Clay. The album featured Brendon Urie of Panic! at the Disco and Dixie Chicks.^[13]

Songs[edit]

Notes[edit]

1. ^Swift's cover of Tom Petty's 'American Girl' was released as a promotional single through Rhapsody in 2009, but was not included on any of her albums.^[16]
2. ^'Bad Blood', released as a single in 2015, is a remix featuring Kendrick Lamar, and is not featured on the 1989 album.^[19] Lamar wrote his own verses, and is only credited as a writer and as a vocalist on the single version.^[20]
3. ^Jack Ingram and Swift recorded a live acoustic cover of this song for his exclusive live EP for Rhapsody (now known as Napster). The original version appears on Ingram's album This Is It and features Sheryl Crow in the female role. Both Ingram and Swift were signed to Big Machine Records at the time.
4. ^'Look What You Made Me Do' includes an interpolation of 'I'm Too Sexy', written by Fred Fairbrass, Richard Fairbrass, and Rob Manzoli, performed by Right Said Fred.^[33]
5. ^'Today was a Fairytale' was first released as a single from the soundtrack to the film Valentine's Day (2010), in which Swift starred.^[39][40] The song was then re-released as an independent digital single in 2011.^[41]
6. ^'Untouchable' is a cover of a song by American rock band Luna Halo—Swift's only cover on a studio album. The band members, who wrote the original, felt Swift's adjustments to the arrangement and melody of the song were significant enough to warrant a co-writing credit for her version.^[44]

References[edit]

1. ^Morris, Edward (December 1, 2006). 'When She Thinks 'Tim McGraw,' Taylor Swift Savors Payoff'. CMT. Retrieved December 25, 2015.
2. ^ ^{abcdefghijklmno}Taylor Swift (booklet). Taylor Swift. Big Machine Records. 2006.CS1 maint: others (link)
3. ^ ^abcBeautiful Eyes (EP). Taylor Swift. Big Machine Records. 2008.CS1 maint: others (link)
4. ^Kawashima, Dale (February 16, 2007). 'Taylor Swift Interview 2007 – Her Songwriting & First Album'. Songwriteruniverse.com. Retrieved December 31, 2015.
5. ^Tucker, Ken (March 26, 2008). 'The Billboard Q&A: Taylor Swift'. Billboard. Retrieved December 31, 2015.
6. ^ ^{abcdefghijklmnopqr}Speak Now (booklet). Taylor Swift. Big Machine Records. 2010.CS1 maint: others (link)
7. ^Macpherson, Alex (October 18, 2012). 'Taylor Swift: 'I want to believe in pretty lies''. The Guardian. Retrieved December 28, 2015.
8. ^ ^{abcdefghijklmnopqrst}Red (booklet). Taylor Swift. Big Machine Records. 2012.CS1 maint: others (link)
9. ^Mansfield, Brian (August 18, 2014). 'Taylor Swift debuts 'Shake It Off,' reveals '1989' album'. USA Today. Retrieved August 19, 2014.
10. ^Lansky, Sam (October 23, 2014). 'Review: 1989 Marks a Paradigm Swift'. Time. Retrieved December 28, 2015.
11. ^ ^{abcdefghijklmnopq}1989 (booklet). Taylor Swift. Big Machine Records / Universal Music Group. 2014.CS1 maint: others (link)
12. ^ ^{abcdefghijklmnop}reputation liner notes (Media notes). Taylor Swift. Big Machine Records. 2017.CS1 maint: others (link)
13. ^'Lover by Taylor Swift'. Apple Music. Retrieved August 17, 2019.
14. ^Caulfield, Keith (May 27, 2015). 'Max Martin Scores 20th No. 1 on Hot 100 With Taylor Swift's 'Bad Blood''. Billboard. Retrieved August 9, 2015.
15. ^ ^{abcdefghijklmn}'Lover Taylor Swift'. Tidal. Retrieved 23 August 2019.
16. ^ ^abSwift, Taylor. 'American Lady (Single)'. Rhapsody. Retrieved September 18, 2013.
17. ^Shaffer, Claire (July 23, 2019). 'Taylor Swift Releases Intimate New Song 'The Archer''. Rolling Stone. Retrieved July 29, 2019.
18. ^Chiu, Melody (April 20, 2018). 'Sugarland and Taylor Swift Release Breakup Song 'Babe' — Find Out the Story Behind the Track'. People. Archived from the original on April 20, 2018. Retrieved April 20, 2018.Cite uses deprecated parameter deadurl= (help)
19. ^Hunt, Elle (May 18, 2015). 'Taylor Swift debuts star-studded video for Bad Blood remix single'. The Guardian. Retrieved December 31, 2015.
20. ^ ^ab'Bad Blood (feat. Kendrick Lamar) – Single Taylor Swift'. AllMusic. Retrieved May 18, 2015.
21. ^ ^{abcdefghijklmnopqrs}Fearless (booklet). Taylor Swift. Big Machine Records. 2008.CS1 maint: others (link)
22. ^ ^abcdSpeak Now World Tour – Live (booklet). Taylor Swift. Big Machine Records. 2011.CS1 maint: others (link)
23. ^Strange Clouds (booklet). B.o.B. Grand Hustle / Rebel Rock / Atlantic. 2007.CS1 maint: others (link)
24. ^Rodriguez, Jayson (January 21, 2010). 'MTV's 'Hope For Haiti' Performances Will Be Available On iTunes'. MTV. Retrieved December 28, 2015.
25. ^ ^abcdefSounds of the Season (booklet). Taylor Swift. Big Machine Records / Universal Music Group. 2007.CS1 maint: others (link)
26. ^Hannah Montana: The Movie (booklet). Walt Disney. 2009.
27. ^ ^abThe Hunger Games: Songs from District 12 and Beyond (booklet). Universal Republic / Mercury. 2012.
28. ^Vena, Jocelyn (June 11, 2009). 'John Mayer Talks Taylor Swift Collaboration 'Half Of My Heart''. MTV. Retrieved September 18, 2013.
29. ^Two Lanes of Freedom (booklet). Tim McGraw. Big Machine Records. 2013.CS1 maint: others (link)
30. ^Ingram, Jack. 'Rhapsody Originals'. Rhapsody. Retrieved January 31, 2018.
31. ^Legaspi, Althea (December 12, 2016). 'Taylor Swift, Zayn Team Up for Sultry 'I Don't Wanna Live Forever''. Rolling Stone. Archived from the original on December 8, 2017. Retrieved December 9, 2016.Cite uses deprecated parameter deadurl= (help)
32. ^ ^ab'Valentine's Day: Original Motion Picture Soundtrack'. AllMusic. Retrieved September 18, 2013.
33. ^Myers, Owen (August 25, 2017). 'Right Said Fred Are 'Very Pleased' With Taylor Swift's Interpolation Of 'I'm Too Sexy''. The Fader. Retrieved 6 September 2017.
34. ^'Lover by Taylor Swift – Tidal'. Tidal. Retrieved August 16, 2019.
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